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Roman Knol
Roman Knol

Roman Knol

Artist Statement

 
An idiosyncratic and sensual, versatile world appears. Each work is like a season, and always a different season, and also many more seasons than the one known to us. The work is a world in the making in which I as a spectator participate. I am not alone looking I am in the happening of the picture. As if this is a vision. This awareness of the spectator brought about by the works precisely determines the engagement of the works. Because that is how we are in the event of the great changes in the world and the earth. In its overwhelming refinement, the work also evokes the feeling of glory, of ecstasy and euphoria as a counterforce to the impoverishment and confusion that surrounds us.

"I see the paintings as an ark of imaginary objects
of pre- and past history. Before and beyond the
unified conscious self, where the dimension of the psychological persona ends,
lays the shore of mythopoetic noesis.
A realm stripped of the garment of language and
linear time, in which imaginary vision withstands
rational order to reclaim conventional reality"
 

The constant and coherent work in the group is a sensation, because as a spectator you can always be absorbed in yet other visual overtones and at the same time the other works also vibrate along.

The full movement, the atmosphere, the eye becomes a swallow that flies through the picture, the picture becomes a room in which I live as a spectator. It is then no longer necessary to see another form, a figure.


Jagd im Tageslicht



In deiner Abwesenheit



In deiner Abwesenheit II



Dem Feuer gehorsam


Leser, Erzaehler und handelnde Person I



Leser, Erzaehler und handelnde Person II











 

 

Deze pagina is voor het laatst gewijzigd op 20 februari 2022

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