"It is not my aim to answer this question, but to raise awareness, broaden perspectives and open up the conversation."
"An old photograph from around 1900 of a man and woman hanging from ropes, pulling their skûtsje along. My great-grandfather and great-grandmother. My interest is piqued. Who are they? The following information can be found: he is a skipper and she has no occupation. What do you mean, no occupation? I can see her pulling a ship along, can’t I?
Through my work, I want to set the record straight on what has been ‘forgotten’ to tell. I am bringing my grandmothers out of anonymity; they symbolise many women in similar situations and circumstances.
The beautiful French motto ‘Liberté, égalité, fraternité’ was less inclusive than I thought. In any case, it was not intended for women. My Beppes are a very good example of this. They were not equal to their husbands and they did not have the freedom to make their own choices. They were not allowed to vote (until 1922) and, because of their marital status, had ‘no profession’.
By sharing my grandmothers’ story and making it visually visible, I hope people will reflect on their own foremothers and how this continues to have an impact today. For how much has the visibility and position of women changed compared to the past? It is not my aim to answer this question, but to raise awareness, broaden perspectives and open up the conversation.
Alongside conventional materials and techniques historically regarded as ‘highly esteemed fine art’, I make use of forms of decorative arts that women have practised for centuries, yet which were not considered ‘fine art’. By integrating techniques such as sewing, knitting, embroidery or weaving into my work, I aim to ensure the revaluation and recognition of traditional craft forms."
Contact:
jannekeslot@outlook.com
This page was last updated on June 9, 2026
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