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The language requirements for this English-taught programme: IELTS 5.5.
You will need to prove your language proficiency by handing in a certificate stating your level before 31 August.
If you need a residence permit to study at ArtEZ, the delivery deadline is 31 May!
Begin honing your skills in the areas of solfeggio, sight-singing, musical notation, reading and writing rhythms and hearing harmonies well in advance. You should also train your knowledge of general music theory.
Being familiar with the fundamental principles of acoustics to the extent of being familiar with the possibilities and limitations of audio engineering and digital signal processing. This refers in particular to human perception of sound in a three dimensional space. Additionally, the acoustically applied size and terminology as a basis for calculating acoustic phenomena such as volume, phase, and harmonics are part of the prerequisites.
Creating musically appealing productions with the help of sample libraries is a prerequisite for the study of sampling techniques.
This means that your compositions should be comparable with real productions, or be even further developed to the point of including a production as a creative compositional medium. In the area of popular music, this involves not only familiarity with the relevant libraries but also programming drums with kit-based libraries (loop-based libraries do not play a role here) and the musically-relevant use of other band-derived sound sources such as bass, keyboards/synthesizer, and melody instruments.
Expectations in the orchestral area include the high-quality tonal use of dry sample libraries (without integrated reverb) in various standard microphone arrangements (ORTF, EBS, AB, XY).
Hybrid productions will be positively considered as long as they are part of a musically-sound production. Control of Midi for virtual sound sourcing with sound libraries should be at an expert level, which includes familiarity with the respective continuous controllers, timeline operations, and event operations.
In addition to a general familiarity with Pro Tools at Level 101, polished fundamentals of recording, mixing, and mastering are required to participate in the course of study. These include competent use of microphones of varying types and directionality, proper use of dynamic control amplifiers and their use in special and typical arrangements in the signal flow, modulation effects, and the proper use of equalization. You are able to confidently use these tools in all steps of production for pop music (recording, mixing, and mastering); only mixing and mastering are required for orchestral music. You are also able to apply the acoustic parameters of the previously mentioned fundamentals of acoustics to position sound sources, including the use of parametric reverberators.
Knowledge of the theories of Earl Hagen is expected, which includes the parameters for classifying cinematic situations as defined by Hagen. You are able to confidently classify film scenes according to this theory.
Your practical experience must be demonstrated by the submission of a short film which features music you composed, demonstrating your competence in film dramaturgy.
An advanced level of composition as well as competence in the fields of music production and film score dramaturgy are necessary to take part in the programme. With regard to the professional experience that will follow, the subject of music production is seen as an equally important part of the programme as the subject of composition. In short: all above-mentioned skills are equally important.
However, a small amount of deficiencies in specific areas can, in some cases, be compensated if the applicant demonstrates an exceptional high level in other fields.
As a basis for the Bachelor of Composition for Film Online, we recommend attending the year-long Film Scoring and Production in Bonn.
Note: sign up in Studielink for Jazz & Pop Arnhem, Online